SANDOW BIRK @ DDR Projects Art Gallery this Saturday 3/22/08
Sandow Birk is a graduate of Otis/Parson's Art Institute in Los Angeles and an artist from Southern California with an extensive history of exhibitions both national and international, as well as the recipient of many prestigious grants and awards. Five books have been published on his works and he has made two films. Fans appreciate his talent for surfing, see him as an artist, or appreciate both of these facets.
The majority of his work has dealt with contemporary American life. With an emphasis on social issues, frequent themes have included inner city violence, graffiti, various political issues, travel, prisons, surfing, and skateboarding, and most recently a series on "Death in America" and the war in Iraq.
Sandow Birk was a recipient of an NEA International Travel Grant to Mexico City in 1995, a Guggenheim Fellowship in 1996, and a Fulbright Fellowship to Rio de Janeiro, Brazil, for 1997. In 1999 he was awarded a Getty Fellowship for painting, followed by a City of Los Angeles (COLA) Fellowship in 2001.
Sandow is represented by the Koplin del Rio Gallery in Los Angeles, Catharine Clark Gallery in San Francisco, and P.P.O.W. Gallery in New York City.
Sandow's epic, pseudo-historical series "In Smog and Thunder” – in which Los Angeles and San Francisco wage all out war for control of the Golden State – was shown at the Laguna Art Museum in 2000, and his “mockumentary” film of the same name has won numerous awards at film festivals across the country.
His series of idyllic landscape paintings of every one of California's 33 state prisons was exhibited at the Santa Barbara Contemporary Arts Forum in 2001. A book has been published on the project, entitled "Incarcerated: Visions of California in the 21st Century".
In 2002 he expanded the project by depicting all of New York State's maximum security prisons in the style of Hudson River School artists from the 19th century. The project was exhibited in New York at Debs and Co. Gallery and works from the series are included in the collection of the New York Historical Society.
Recently he has completed an enormous project involving the rewriting and illustrating of the entire “Divine Comedy” into contemporary American English in collaboration with writer Marcus Sanders. The resulting exhibition “Sandow Birk’s Divine Comedy” was shown at the San Jose Museum of Art in 2005 and traveled to several institutions.
Three books were the result: "Dante's Inferno", "Dante's Purgatorio", and "Dante's Paradiso", all of which set the action of Dante's classic poem into contemporary urban America, where Dante and Virgil wander among the souls of the afterworld and discuss faith and philosophy with historical figures from Dante's original poem as well as personages from contemporary world history.
A feature film adaptation of the project entitled “Dante’s Inferno”, has been completed in collaboration with Paul Zaloom, Sean Meredith, and Elyse Pignolet. Starring the voices of Durmot Mulroney and James Cromwell as Dante and Virgil respectively, the film was featured at film festivals across the United States in 2007, including garnering awards for "Best Director" at the Silverlake Film Festival and "Audience Favorite" at the San Francisco Film Festival.
In 2007 Sandow Birk was awarded an Artist in Residence Fellowship at the Smithsonian Institution’s National Museum of American Art in Washington, D.C. While there, he researched and worked on an upcoming project of the "Illustrated Constitution of the United States", scheduled for exhibition at PPOW Gallery in New York City in 2008.
To an eye not trained in the formal evaluation of art, he takes stylistic inspiration from historic works. For example, the book commemorating his monumental exhibition, In Smog and Thunder: Historical works from The Great War of the Californias "documents" a fictional war between northern and southern California. The battles are defined as "Smogtown versus Fogtown", describing Los Angeles and San Francisco respectively. The style of paintings partly follows paintings depicting the U.S. Revolutionary War.
There is also pervasive California-related humor. In one "Fogtown" battle scene, Rendezvous at Twin Peaks (1996, acrylic on canvas, 50 x 50 inches) a "roach coach" lunch truck is part of a scene including people on horseback and tanks on a hill. Many battles feature armored vehicles with Ralph's grocery store logos, submarines with the CBS eye, and comic mixtures of medieval and modern armaments and vehicles.
Some work is ink on paper. There are a number of works which include the Getty Center, (usually under attack). These include The End of the Siege of the Getty (1998, ink on paper, 17 x 14 inches), Midnight Assault on the Getty, (1998, ink on paper, 17 x 14 inches), and The Heaving of Major Applicances During the Assault on the Getty, (1998, ink on paper, 17 x 14 inches). In The Heaving, several people struggle to load a clothes dryer on to a trebuchet aimed at the Getty while others stand around with their hands in their pockets.
Images have the overtones of serious documentary works with visual elements that make for a humorous twist. There is a mixture of modern landmarks like Sutro Tower and the Transamerica Pyramid while soldiers ride horses or Harley-Davidson motorcycles. Stereotypes about San Francisco's gayness and the brutality of L.A. police officers is often part of a work.
